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In the archive

CUBE4 × .cube LUT: Premiere Pro, DaVinci Resolve, Final Cut, Photoshop
TXTInstall guide
ZIPFiles in the archive: 16

Four LUTs for I-Log 10-bit. The Rec.709 conversion is inside, built from Insta360's “10-bit I-Log” white paper (curve and BT.2020 gamut).

Cameras. Insta360 X6 and the Luna series in I-Log 10-bit. X5, Ace Pro 2 and GO Ultra record 8-bit I-Log with a different curve: use LOGLINE Rec.709 after Insta360's free LUT.

Looks. BASE: clean Rec.709, neutral color and soft highlights when you just need a correct image. EMBER: warm film, amber highlights, a touch of teal in the shadows, greens pushed to olive. STAKEOUT: cold thriller, steel and teal, muted color, dense contrast. MATINEE: film print, soft highlights, warm slightly faded blacks, dense reds.

In the archive. 4 looks at 65 and 33 points, a Rec709 folder for non-Log footage, a Photo folder for Lightroom (.xmp), guide in English and Russian.

How to use. For 360 video, reframe first in Insta360 Studio or the app with no color changes, export at a high bitrate, then add the LUT in DaVinci, Premiere, Final Cut or CapCut (33 points). In the Insta360 app, load the 33 point file in the LUT section.

Honest notes. If the shadows crush and the contrast is hard after the LUT, the editor reads the clip in the wrong range: in DaVinci that is Clip Attributes, Data Levels, Full. Tested on RAW frames converted to I-Log with Insta360's formula, not on clips from the camera.

Example images: AI photos converted to Log with the camera formula. The “after” is this LUT alone, no retouching.

How to install

Two files per look: .xmp for Lightroom on phone and desktop and for Camera Raw, .cube for video and Photoshop. If the look is too strong, lower the LUT strength in your video editor, and in Lightroom adjust the sliders after applying the preset.

Lightroom Classic and Lightroom on desktop
  1. Lightroom Classic: Develop module → Presets panel → “+” → Import Presets → pick the .xmp.
  2. Cloud Lightroom: File → Import Profiles & Presets → pick the .xmp.
  3. They appear in the GradeColor group. Click a preset, then adjust white balance and exposure for your shot.
Lightroom on your phone (free)
  1. Download the archive to your phone and unzip it: the .xmp files are inside.
  2. In Lightroom, open any photo → Presets → Yours tab → ⋯ → Import Presets → pick the .xmp files.
  3. They appear in the GradeColor group. Tap a preset, then adjust exposure and white balance for your shot.
Photoshop and Camera Raw
  1. Preset: Filter → Camera Raw → Presets tab → ⋯ → Import Profiles & Presets → .xmp.
  2. LUT: Layer → New Adjustment Layer → Color Lookup → Load 3D LUT → .cube.
Premiere Pro (LUT)
  1. Select the clip → Lumetri Color panel.
  2. Creative → Look → Browse… → pick the .cube.
  3. The Intensity slider sets the strength.
DaVinci Resolve (LUT)
  1. Project Settings → Color Management → Open LUT Folder → copy the .cube there.
  2. Right-click the LUT list → Update Lists.
  3. Color page → right-click a node → LUT → pick the LUT. Strength: Key Output Gain. If you shot LOG, convert to Rec.709 on a separate node first.
Final Cut Pro (LUT)
  1. Select the clip → add the Custom LUT effect.
  2. In the effect settings → LUT → Choose Custom LUT… → pick the .cube.
  3. Mix sets the strength.
CapCut on desktop (LUT)
  1. Select the clip → clip adjustment panel → LUT section → Import → pick the .cube.
  2. Not every mobile editor imports LUTs, and menu names differ.

Stuck? Email hello@gradecolor.com and we’ll sort it out.